#latin american goth

[transmissionsfromcarcosa]

I made a playlist for Hispanic Heritage Month.

All bands and artists featured are goth, deathrock, darkwave, or adjacent genres from Spain and Latin America, or otherwise prominently feature members of Hispanic backgrounds.

I've long since held the opinion that without the LatAm and Spanish scenes doing most of the heavy lifting, goth as a subculture probably would not have lived past the mid-2000s, and I feel like those scenes deserve more recognition.

[gothmusiclatinamerica]

I'm making a bunch of playlists compiling the videos I've made of bands from certain countries and of certain subgenres (if there are at least two that apply so far) so people can more easily find what they're specifically interested in. Warning: a lot of my older videos had abysmal sound editing.

[nugothrhythms]

"Problemas de Vulneraci​ó​n" by Santiago, Chile-based post-punk act Maldita Existencia off of a 2024 double release

[aguara-fina]

cemetery at sunset (cementerio de la recoleta, asunción, paraguay)

[silvermistyy]

Mexicans (and lots of latinos in general lmao) are so just inherently gothic like it’s so funny to me when older relatives are so against it bc if you only took a moment to look you’d see all the parallels 😭😭

AMÁ ITS NOT THAT FAR A STRETCH IM TELLING YOU 😤😤

[almaestla]

"Adrianne Dances" by Brazilian goth rock band from the city of São Paulo, off of their 2013 album "Les Belles Infidèles".

[whencartoonsruletheworld]

funniest disney history facts i can think of atm

literally EVERYBODY thought the lion king was gonna flop and pocahontas would be their greatest movie ever made. people begged to ditch lion king and work on pocahontas.

the reason robin hood ends so abruptly is that there was an actual ending planned and storyboarded but the crew spent too long arguing about everyone’s fursonas to finish animating it

madam mim was way less comedic in the original book but because her character was too similar to maleficent (who was in their latest film at the time), the sword and the stone crew decided to differentiate her by making her fucking hilarious

when making a goofy movie, jeffrey katzenberg (studio chairman at the time) told bill farmer to give goofy “a normal voice.” farmer, who had been voicing goofy for eight years at that point, including in the goof troop show that a goofy movie was a sequel to, was very confused. after making an attempt they decided to scrap that note completely.

as of march 2023, farmer is still voicing goofy, and tony anselmo has been voicing donald since 1986. the 2017 reboot of ducktales, which was slated as “wanting to do for donald what goofy movie did for goofy,” featured both actors as those characters; they had also been doing the voices for the original ducktales and goof troop/goofy movie. all the times goofy and donald interact in the 2017 ducktales however, donald was voiced by guest star don cheadle as a joke

current voice of mickey mouse bret iwan has stated that he has attempted to play kingdom hearts and did not do well

disneyland’s current world of color halloween overlay features a plot that is basically “the disney villains simultaneously adopt a goth kid” and i love it

people will make jokes about “well math says that the beast would’ve been 11 when he was cursed” well that was actually the original intent, but a flashback scene of baby beast was scrapped because he looked “too much like eddie munster”

when disney sent a representative to pixar to check on toy story production, she was like “this is all great! what style of music are you thinking” and they were like “for what” “for the songs” “we uh. we weren’t gonna have. any songs” and she went dead silent and then went “i have to make a call” and left the room

saludos amigos and the three caballeros were made as ww2 propaganda. the government commissioned disney to make movies to make latin america like them so that they wouldnt side with the nazis and provide them an in to invade, and latin america really liked donald duck so

saludos amigos was apparently the first time many usamericans realized that latin american people were like. people. film historian alfred charles richard jr said that the film “did more to cement a community of interest between peoples of the americas in a few months than the state department had in fifty years”

while latin america generally liked both films, chilean cartoonist rené rios boettiger fucking hated the chilean segment of saludos amigos, seeing the main character of pedro the plane as a weakass bitch, so in response he created condorito, the most popular comic character in all of latin america

disney wanted to adapt ts eliot’s old possum’s book of practical cats. his widow adamantly refused, and then sold the rights to andrew lloyd webber bc he wanted to make it sexy and she said “tom would’ve liked that”

in case you haven’t seen the defunctland, walt disney wanted epcot to be a futuristic utopia where he was basically the dictator. then he died so they just made it another theme park

speaking of defunctland the first defunctland video was on disneyworld’s alien attraction and please watch it. please it’s so funny

after the huge failure of the black cauldron disney was going to shut down its animation department. the department tried to convince them to keep them alive by showing them the one scene they had finished for the next movie– the mouse burlesque from the great mouse detective. it worked

the only attraction the black cauldron ever got was in tokyo disneyland where they put a tour under cinderella’s castle where everyone had to escape the disney villains trying to kill them, only to end at the horned king and the cauldron, who would try to sacrifice them to satan. this tour was popular but was closed in the early 2000s as the tunnels didn’t fit earthquake regulations and i want it in disneyworld so bad

walt disney once referred to his unionizing workers, led by goofy’s creator art babbitt, as “commie sons of bitches,” and i want a mickey build-a-bear that calls me a commie son-of-a-bitch whenever i squeeze its paw

[tobacconist]

the default tumblr user is american. the second most common type of tumblr user can be from any country; but always speaks with an american affect, is gay/trans, and deeply involved with some fandom. then there are the slavs. all goths on this site seem to be slavs. they usually have the most dignity. then we have the latin americans, whose role in our ecosystem is to repost unfunny memes. then the finns. cant pin down the finns. theyre just here. lots of turks and hungarians too, but no one has yet deciphered their language. used to be more brits but there arent enough american tea-a-boos here to sustain them anymore. not an insignificant number of arabs/pakistanis who just post excerpts of poetry and pictures of roses also.

these are just my observations.

[rissynicole]

Oh hey my exact niche experience

Being Catholic* is actually such a goated advantage when taking Medieval and Early Renaissance art history classes because 75% of these lectures are just expanations of Biblical stories that I learned at Sunday school when I was eight lmao

* and by catholic i mean that weird “its my heritage and i have faith but the church/organized religion in general really sucks” kinda in-between

[fatehbaz]

hi! SUPER interesting excerpt on ants and empire; adding it to my reading list. have you ever read "mosquito empires," by john mcneill?

Yea, I've read it. (Mosquito Empires: Ecology and War in the Greater Caribbean, 1620-1914, basically about influence of environment and specifically insect-borne disease on colonial/imperial projects. Kinda brings to mind Centering Animals in Latin American History [Few and Tortorici, 2013] and the exploration of the centrality of ecology/plants to colonialism in Plants and Empire: Colonial Bioprospecting in the Atlantic World [Schiebinger, 2007].)

If you're interested: So, in the article we're discussing, Rohan Deb Roy shows how Victorian/Edwardian British scientists, naturalists, academics, administrators, etc., used language/rhetoric to reinforce colonialism while characterizing insects, especially termites in India and elsewhere in the tropics, as "Goths"; "arch scourge of humanity"; "blight of learning"; "destroying hordes"; and "the foe of civilization". [Rohan Deb Roy. “White ants, empire, and entomo-politics in South Asia.” The Historical Journal. October 2019.] He explores how academic and pop-sci literature in the US and Britain participated in racist dehumanization of non-European people by characterizing them as "uncivilized", as insects/animals. (This sort of stuff is summarized by Neel Ahuja, describing interplay of race, gender, class, imperialism, disease/health, anthropomorphism. See Ahuja's “Postcolonial Critique in a Multispecies World.”)

In a different 2018 article on "decolonizing science," Deb Roy also moves closer to the issue of mosquitoes, disease, hygiene, etc. explored in Mosquito Empires. Deb Roy writes: 'Sir Ronald Ross had just returned from an expedition to Sierra Leone. The British doctor had been leading efforts to tackle the malaria that so often killed English colonists in the country, and in December 1899 he gave a lecture to the Liverpool Chamber of Commerce [...]. [H]e argued that "in the coming century, the success of imperialism will depend largely upon success with the microscope."''

Deb Roy also writes elsewhere about "nonhuman empire" and how Empire/colonialism brutalizes, conscripts, employs, narrates other-than-human creatures. See his book Malarial Subjects: Empire, Medicine and Nonhumans in British India, 1820-1909 (published 2017).

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Like Rohan Deb Roy, Jonathan Saha is another scholar with a similar focus (relationship of other-than-human creatures with British Empire's projects in Asia). Among his articles: "Accumulations and Cascades: Burmese Elephants and the Ecological Impact of British Imperialism." Transactions of the Royal Historical Society. 2022. /// “Colonizing elephants: animal agency, undead capital and imperial science in British Burma.” BJHS Themes. British Society for the History of Science. 2017. /// "Among the Beasts of Burma: Animals and the Politics of Colonial Sensibilities, c. 1840-1940." Journal of Social History. 2015. /// And his book Colonizing Animals: Interspecies Empire in Myanmar (published 2021).

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Related spirit/focus. If you liked the termite/India excerpt, you might enjoy checking out this similar exploration of political/imperial imagery of bugs a bit later in the twentieth century: Fahim Amir. “Cloudy Swords” e-flux Journal Issue #115. February 2021.

Amir explores not only insect imagery, specifically caricatures of termites in discourse about civilization (like the Deb Roy article about termites in India), but Amir also explores the mosquito/disease aspect invoked by your message (Mosquito Empires) by discussing racially segregated city planning and anti-mosquito architecture in British West Africa and Belgian Congo, as well as anti-mosquito campaigns of fascist Italy and the ascendant US empire. German cities began experiencing a non-native termite infestation problem shortly after German forces participated in violent suppression of resistance in colonial Africa. Meanwhile, during anti-mosquito campaigns in the Panama Canal zone, US authorities imposed forced medical testing of women suspected of carrying disease. Article features interesting statements like: 'The history of the struggle against the [...] mosquito reads like the history of capitalism in the twentieth century: after imperial, colonial, and nationalistic periods of combatting mosquitoes, we are now in the NGO phase, characterized by shrinking [...] health care budgets, privatization [...].' I've shared/posted excerpts before, which I introduce with my added summary of some of the insect-related imagery: “Thousands of tiny Bakunins”. Insects "colonize the colonizers". The German Empire fights bugs. Fascist ants, communist termites, and the “collectivism of shit-eating”. Insects speak, scream, and “go on rampage”.

---

In that Deb Roy article, there is a section where we see that some Victorian writers pontificated on how "ants have colonies and they're quite hard workers, just like us!" or "bugs have their own imperium/domain, like us!" So that bugs can be both reviled and also admired. On a similar note, in the popular imagination, about anthropomorphism of Victorian bugs, and the "celebrated" "industriousness" and "cleverness" of spiders, there is: Claire Charlotte McKechnie. “Spiders, Horror, and Animal Others in Late Victorian Empire Fiction.” Journal of Victorian Culture. December 2012. She also addresses how Victorian literature uses natural science and science fiction to process anxiety about imperialism. This British/Victorian excitement at encountering "exotic" creatures of Empire, and popular discourse which engaged in anthropormorphism, is explored by Eileen Crist's Images of Animals: Anthropomorphism and Animal Mind and O'Connor's The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856.

Related anthologies include a look at other-than-humans in literature and popular discourse: Gothic Animals: Uncanny Otherness and the Animal With-Out (Heholt and Edmunson, 2020). There are a few studies/scholars which look specifically at "monstrous plants" in the Victorian imagination. Anxiety about gender and imperialism produced caricatures of woman as exotic anthropomorphic plants, as in: “Murderous plants: Victorian Gothic, Darwin and modern insights into vegetable carnivory" (Chase et al., Botanical Journal of the Linnean Society, 2009). Special mention for the work of Anna Boswell, which explores the British anxiety about imperialism reflected in their relationships with and perceptions of "strange" creatures and "alien" ecosystems, especially in Aotearoa. (Check out her “Anamorphic Ecology, or the Return of the Possum.” Transformations. 2018.)

And then bridging the Victorian anthropomorphism of bugs with twentieth-century hygiene campaigns, exploring "domestic sanitation" there is: David Hollingshead. “Women, insects, modernity: American domestic ecologies in the late nineteenth century.” Feminist Modernist Studies. August 2020. (About the cultural/social pressure to protect "the home" from bugs, disease, and "invasion".)

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In fields like geography, history of science, etc., much has been said/written about how botany was the key imperial science/field, and there is the classic quintessential tale of the British pursuit of cinchona from Latin America, to treat mosquito-borne disease among its colonial administrators in Africa, India, and Southeast Asia. In other words: Colonialism, insects, plants in the West Indies shaped and influenced Empire and ecosystems in the East Indies, and vice versa. One overview of this issue from Early Modern era through the Edwardian era, focused on Britain and cinchona: Zaheer Baber. "The Plants of Empire: Botanic Gardens, Colonial Power and Botanical Knowledge." May 2016. Elizabeth DeLoughrey and other scholars of the Caribbean, "the postcolonial," revolutionary Black Atlantic, etc. have written about how plantation slavery in the Caribbean provided a sort of bounded laboratory space. (See Britt Rusert's "Plantation Ecologies: The Experiential Plantation [...].") The argument is that plantations were already of course a sort of botanical laboratory for naturalizing and cultivating valuable commodity plants, but they were also laboratories to observe disease spread and to practice containment/surveillance of slaves and laborers. See also Chakrabarti's Bacteriology in British India: laboratory medicine and the tropics (2012). Sharae Deckard looks at natural history in imperial/colonial imagination and discourse (especially involving the Caribbean, plantations, the sea, and the tropics) looking at "the ecogothic/eco-Gothic", Edenic "nature", monstrous creatures, exoticism, etc. Kinda like Grove's discussion of "tropical Edens" in the colonial imagination of Green Imperialism.

Dante Furioso's article "Sanitary Imperialism" (from e-flux's Sick Architecture series) provides a summary of US entomology and anti-mosquito campaigns in the Caribbean, and how "US imperial concepts about the tropics" and racist pathologization helped influence anti-mosquito campaigns that imposed racial segregation in the midst of hard labor, gendered violence, and surveillance in the Panama Canal zone. A similar look at manipulation of mosquito-borne disease in building empire: Gregg Mitman. “Forgotten Paths of Empire: Ecology, Disease, and Commerce in the Making of Liberia’s Plantation Economy.” Environmental History. 2017. (Basically, some prominent medical schools/departments evolved directly out of US military occupation and industrial plantations of fruit/rubber/sugar corporations; faculty were employed sometimes simultaneously by fruit companies, the military, and academic institutions.) This issue is also addressed by Pratik Chakrabarti in Medicine and Empire, 1600-1960 (2014).

---

Meanwhile, there are some other studies that use non-human creatures (like a mosquito) to frame imperialism. Some other stuff that comes to mind about multispecies relationships to empire:

Lawrence H. Kessler. “Entomology and Empire: Settler Colonial Science and the Campaign for Hawaiian Annexation.” Arcadia (Spring 2017)

No Wood, No Kingdom: Political Ecology in the English Atlantic (Keith Pluymers)

Archie Davies. "The racial division of nature: Making land in Recife". Transactions of the Institute of British Geographers Volume 46, Issue 2, pp. 270-283. November 2020.

Yellow Fever, Race, and Ecology in Nineteenth-Century New Orleans (Urmi Engineer Willoughby, 2017)

Pasteur’s Empire: Bacteriology and Politics in France, Its Colonies, and the World (Aro Velmet, 2022)

Tom Brooking and Eric Pawson. “Silences of Grass: Retrieving the Role of Pasture Plants in the Development of New Zealand and the British Empire.” The Journal of Imperial and Commonwealth History. August 2007.

Under Osman's Tree: The Ottoman Empire, Egypt, and Environmental History (Alan Mikhail)

The Herds Shot Round the World: Native Breeds and the British Empire, 1800-1900 (Rebecca J.H. Woods, 2017)

Imperial Bodies in London: Empire, Mobility, and the Making of British Medicine, 1880-1914 (Kristen Hussey, 2021)

Red Coats and Wild Birds: How Military Ornithologists and Migrant Birds Shaped Empire (Kirsten Greer, 2020)

Animality and Colonial Subjecthood in Africa: The Human and Nonhuman Creatures of Nigeria (Saheed Aderinto, 2022)

Imperial Creatures: Humans and Other Animals in Colonial Singapore, 1819-1942 (Timothy P. Barnard, 2019)

Biotic Borders: Transpacific Plant and Insect Migration and the Rise of Anti-Asian Racism in America, 1890-1950 (Jeannie N. Shinozuka)

[transmissionsfromcarcosa]

Where good girls go to die, that's where I'll be

I want to start engaging with this site more, so it occurs to me I should probably have an intro post to pin. This is that.

I'm Lucian, or Layla; either is fine and you can address me as either. I am 33 years old. I am a demiromantic bisexual. I am genderfluid, and my pronouns are they/them. I am polyamorous and have three wonderful partners. I am Hispanic with Cuban and Puerto Rican ancestry. I am very sex-positive and kink-positive, and I used to teach shibari once upon a time. I am very much a top and a dom. I may post NSFW things from time to time but that is not a focus of this blog.

I love horror, vampires, cyberpunk, tokusatsu, comic books, mecha, and TTRPGs. But more than just about anything else I love goth music. I have been part of the goth scene for most of my life, and I am very friendly towards baby bats; feel free to DM me if you would like music recommendations. Most of this blog will probably be dedicated to posting and reblogging about these things.

I play a lot of Final Fantasy 14, Guild Wars 2, Warframe, and Neverwinter. Other than those games I play a lot of RPGs and hack 'n' slash games. Devil May Cry, .hack//, and inFAMOUS are my favorite game series ever.

I love writing more than just about anything else ever. Divinity willing I will be published one day. I may or may not post some samples of my writing from time to time, we'll see.

I am an Anarchist, and that informs just about everything about my politics and morality. I am generally friendly with and accepting of most Socialist/Leftist no matter the variety, so long as you're not a dick. Politics isn't a focus of this blog, but I may occasionally rant about it if I feel I have anything interesting to say.

If there's anything else you would like to know, feel free to send me an ask. I am a very open book and am more than happy to answer honestly. I am more than happy to DM with mutuals, but please don't try and flirt with me if you're younger than 25; I am not interested. I'm a naturally flirty person but I am not interested in anyone that young, and even 25 is pushing it for me.

DNI: -Minors -Bigots of any stripe -Feeder blogs -Pro-ana blogs -Lolicon/Shotacon -All pedophiles

[gothmusiclatinamerica]

I used to use Telegram as a way to study Internet reactionaries. Now I am actually going to use it for fun.

[nugothrhythms]

“Arte pl​á​stico” by San José, Costa Rica-based post-punk and darkwave act MOLT off of their upcoming 2024 album Estados Latentes, to be released this June

[wearelatinamericanrockers]

Caifanes or Caiphanes is a Mexican Goth Post-Punk Rock band formed in 1987, considered by critics as one of the most innovative and influential acts in Latin American rock during the 20th century.

They emerged from the Mexican underground scene to later jump to the general public with the support of the dissemination campaign called "Rock en tu Idioma" at the end of the eighties. In this tenor, two of their songs ("Antes que nos olviden” and “Será por eso”) are considered among the 100 best (musically) of Mexican rock.

Their most famous songs are "La Célula que explota", "Nubes" and "Afuera".

Soda Stereo is an Argentine Rock Band formed in 1982 and considered the most important, popular and influential band in Spanish rock and a legend of Latin American music.

They were the first Spanish-speaking group to achieve massive success in Latam and played a very important role in the development and dissemination of Latin American rock and rock in Spanish during the 1980s and 1990s. During their career, they were a marked trend in Latin America, they starred in many genres such as the fun music of their beginnings, the new wave, the dark wave, hard rock, alternative rock and the electronic rock of their ends.

Their most famous songs are "De Música ligera", "Persiana Americana" and "En la Ciudad de la Furia".

[yondiii]

atsv prompts

use as many as you want just pls tag me :)

you can change them to x oc but i’m putting reader bc it’s easier

most of these are ideas from other fics i’ve read but some are just ideas id love to see

i’ll be updating this list when i get more inspo

do you guys want me to do a fic rec list for atsv or any other fandoms ❤️

or any hc inspo lists bc i can’t be bothered to write but i have so many ideas lmao

miguel o’hara

miguel x !black cat reader

miguel x !villain reader

miguel x !venom/doc oc reader

miguel x !spanish/french speaking reader

miguel x !anomaly reader

miguel x !teen reader (work daughter idk)

miguel x !extrovert reader

miguel x !spidey reader

miguel x !touchy reader

miguel x !motherly reader

miguel x !nurse reader

miguel x !workaholic reader

miguel x !ai reader

miguel x !positive reader

miguel x !best spider-man reader

miguel x !lego reader (lmao)

miguel x !sunshine reader

miguel x !grumpy reader

miguel x reader who doesn’t want to join

hobie brown

hobie x !black cat reader

hobie x !villain reader

hobie x !venom/doc oc reader

hobie x !guitarist/drummer/bassist/pianist reader

hobie x !coquette reader

hobie x !introvert reader

hobie x !grunge/goth/alt/punk reader

hobie x !band member reader

hobie x !singer reader

hobie x !nail tech reader (doing his nails)

hobie x !artist reader

hobie x !model student reader (college)

hobie x !motherly reader

hobie x !neighbour

hobie x !rockstar reader

hobie x !reader who avoids him

hobie x !spanish/french/german speaking reader

miles morales (any)

miles x !black cat reader (both miles would be good)

miles x !villain reader

miles x !vemon/doc oc reader

miles x !latin american reader

miles x !french/spanish speaking reader

miles x !future hairdresser reader

miles x !model student reader (high school)

miles x !shy reader

miles x !extrovert reader

miles x !spidey reader

miles x !neighbour reader

miles x !family friend reader

spider-man miles x !prowler reader

prowler miles x !spider-man reader

[patheticbatman]

As of Chapter 81, this is crew of the Courageous from Time to Orbit: Unknown, a marvellous space drama and mystery by @derinthescarletpescatarian . Original sketches & character guide below. Many of the character appearances are based on headcanon, but the ones with asterisks are based on canon sources.

I drew Celi first! I figured I would do the people in front, who I would have to draw most of their bodies, and work from left to right. Celi has had multiple organ issues, so she looks a little drawn (lol) and is still recovering in her wheelchair :). I drew her with small braids just hanging from the top of her head, as I imagine she’s too tired to take care of her hair very often, but still wants to keep some, so she has a sort of cap of braids. There’s probably a term for the style, but idk. Celi is of North African descent.

Next to Celi is Renn. His head looks wonky because I was drawing at an angle at the time. He’s been mostly depilated, and I imagine him in a sort of Aang-meets-European-in-a-tracksuit outfit because he’s calm and tries not to do much drama, but is condescending. Renn is of West Asian/American/Tarandran descent.

Then we have Public Universal Friend (PUF) 2 with the twists. I figure it doesn’t want a lot of hair to take care of, and this style keeps it out of its face. Same clothes as the other PUF. It is kneeling, with one leg propped up. It is of coastal Southern East African descent.

*Then laying on the ground is Tal. Ke is looking at kes tablet because ke doesn’t like focusing on other things. Tal is unfortunately at the wrong angle to show off ke’s face tattoo. Small afro kept stylishly kept, along with some garters and a short skirt. Ke is laying down because ke feels like it. Ke is of West African/American/Texan descent.

*Then we have Aspen, the POV character, smack dab in the middle. Canonically, they’d don’t have a headband as far as we know, but I think their hair looks nice pushed up like that. They are wearing a jumpsuit like last time, but this time has a belt for flair, because Tal and Sunset convinced them. Aspen sits cross cross because they can and it’s a common sitting posture in Arborea. They are of West African/American/Arborea Atlantican descent.

Lina is kneeling like PUF2, but facing the other way. I gave her buns and square jewelery because I based her off of a Hopi woman’s ’do that I really liked, and Lina can be short for names like Catalina. She has freckles because they’re fun. She’s gained some muscle and weight since the last picture, which is great! She is of Hopi/Latin American descent.

Last is Sunset. She is a zeelite, a subculture interested in replicating and investigating pre-Neocambrian (aka our time) cultures. She is largely inspired by what she knows of punk, pastel goths, drag, and to be honest, Barbie (2023). She is voguing because she knows and appreciates the importance of looking good. Sunset is of Central African/of Sirius descent.

Now for the top row, left to right again!

First, we have Heli. She wears functional but pretty clothes because she appreciates utility but always wants to show off what she’s got. The newest addition to the crew, she’s a little spiky, but has a soft spot for Adin. She was inspired by a picture of a Sistergirl from Australia (my headcanon, I only saw a picture of her and was unable to find more specific information). Heli is of Indigenous Australian descent.

*Next, we have Adin. I keep forgetting to draw him with tattoos, so I added a neck one last minute. His look has probably changed the most - his canon picture came out only a few months ago, so I drew him differently the first time. Adin cooks a lot, so he doesn’t try to wear anything or have a hairdo that could be ruined by cooking. Adin is of West African/Arborea Atlantican/American/Texan descent.

*Next up, the tallest of the bunch (and I forgot to draw his left arm until last minute, we have Denish! He’s doing the Arnold Schwarzenegger pose. The gentle Giant of the group, I was unable to recapture his face quite the same way as last time, but I still think he turned out well. He’s one of my favorite space pirates. I think he wears high collars to hide Tinera’s hickeys. Denish is of West African/American/Texan descent.

Right in front of Denish is PUF 1, AKA Dr. PUF. Still has tousled hair, still has the same robe. PUF is kneeling. It is of European descent.

*Hanging off of Denish is Tinera! She’s changed also, as her official looks came out, though I think I’ve kept her pretty nice looking still! I forgot to give her glasses though :(. I gave her Garnet (Steven Universe) finger gloves because they look cool. Tinera is of Central African/Lunarian descent.

Under Tinera is Sam. He’s partly visually inspired by the Dad of some kids I watch, and Ballister from Nimona. He likes to gaze at the stars and wonder about all the stories that will be told about them. Sam is of South Asian descent.

*Lastly is Keldin (AKA Captain Sands). He’s always dressed well and keeps his hair well-coifed. Hardly anyone from the ‘first’ crew likes him. He is standing awkwardly farther away because he knows everyone near him isn’t his tan. Keldin is of West African/American/Trandran descent.